"A National Monument" In The Press
3D maps in Beirut tell story of Nakba by Sam Brennan
“Those who know about [the Nakba] assume it is a well-known issue,” said Rechmaoui. “[By contrast] you would be surprised that the Palestine issue is out of the limelight.”
To introduce this issue to a wide audience through art, Rechmaoui and Ahmad Barclay, a partner of Visualizing Palestine and curator of the exhibit, combed through research material and archived maps of the region dating back to the 1800s.
Visualising Palestine: recounting a historic conflict through maps by India Stoughton
In A National Monument, [Marwan Rechmaoui] has found a way to use the tools by which the British divided and appropriated Palestine – employing maps and grids to divide it up mathematically, as though it was an abstract concept, rather than a physical land, home to thousands of people – to reclaim Palestine as a tactile reality, both on a personal and a public level.
“I’m learning a lot about the topography of Palestine, but by hand, not by eye. I have to touch it all the time, see where the hard parts are, to sand them and make them softer, so I spend my whole day like a blind person going around the topography of the country,” he says. “You start feeling the difference between coastal cities and mountainous cities. It’s like Braille. And symbolically it’s very much like that, because it’s a place that you don’t see, but you’re touching it.”
Edited by: Abdulah Al-Ghoul
Abdulah Al-Ghoul is a strategist and digital project manager with a background in several industries like hospitality, fine arts and marketing.
He founded the Marsoum Art Collective in 2018.